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Dua Lipa hits the highlight for followers of the show

31 July 2022

Lollapalooza 2022 on Day Two: Dua Lipa hits the highlight for followers of the show

The 2nd day of Lollapalooza 2022 featured shock visitor spots and artists paying homage to others at some stage in a stacked lineup that blanketed headliners Dua Lipa, Machine Gun Kelly, and Bob Moses.

While Friday featured an array of global acts, host metropolis Chicago was once given props with a dedication to an artist long gone too soon, whilst others acts blanketed the whole thing from the Beatles (Taipei Houston hit “Eleanor Rigby”), Lily Allen (The Regrettes carried out “Smile”), INXS (Bob Moses’ rendition of “Need You Tonight”), and Avril Lavigne, who additionally made an IRL look by way of night’s end.

Machine Gun Kelly Accepts His Pop-Punk Crown
Before Machine Gun Kelly took the stage, audio system performed My Chemical Romance’s “Welcome to the Black Parade,” a melodramatic reintroduction that, given his rap-to-pop-punk pivot, he possibly idolizes.

MGK doubled down on that new persona: In a setlist stuffed with Mainstream Sellout and Tickets to My Downfall songs, he sang into a model hand mic stand with the aid of a life-sized crimson helicopter whilst going on tirades towards the Internet (“That shit tears at your self-esteem”).

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After bringing out Avril Lavigne (“Bois Lie”), Iann Dior (“Fake Love Don’t Last”), and Glaive (“More Than Life”), he appeared emotional. For him, it regarded to be a dream-turned-headlining set come true.

Machine Gun Kelly Accepts His Pop-Punk Crown
Before Machine Gun Kelly took the stage, audio system performed My Chemical Romance’s “Welcome to the Black Parade,” a melodramatic reintroduction that, given his rap-to-pop-punk pivot, he possibly idolizes.

MGK doubled down on that new persona: In a setlist stuffed with Mainstream Sellout and Tickets to My Downfall songs, he sang into a model hand mic stand with the aid of a life-sized purple helicopter whilst going on tirades towards the Internet (“That shit tears at your self-esteem”).

After bringing out Avril Lavigne (“Bois Lie”), Iann Dior (“Fake Love Don’t Last”), and Glaive (“More Than Life”), he seemed emotional. For him, it seemed to be a dream-turned-headlining set come true.

Wet Leg: There’s No Secret Handshake
Though it used to be U.K. buzz band Wet Leg’s U.S. pageant debut on Friday, the duo of Rhian Teasdale and Hester Chambers made it all appear so effortless. Their casually synchronized spins and volleyed post-punk melodies and vocals, to their shipping of songs such as “Wet Dream” and “I Want to Be Abducted (By a UFO)” felt instinctual.

That’s no longer to mean that spontaneity wasn’t a phase of their flirty, enjoyable set: Teasdale committed “Ur Mum” to bandmate Josh Mobaraki who was once no longer in attendance, letting out a hilarious, pealing, backwards bent scream of his title the place the target market joined in. By the time they dropped nearer “Chaise Longue” the understanding smiles shared between bandmates like a secret onstage used to be contagious to every person inside earshot.

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Rolling Blackouts Coastal Fever Create Illusion of Multiplying Guitarists

Watching Rolling Blackouts Coastal Fever is like witnessing an ant colony swarm a piece of fruit. The Melbourne indie rock team function most of their songs whilst pacing round the stage, which capability their bassist and three guitarists are continuously weaving around, wrists strumming speedy fire, as if on the brink of a jam.

Nearly a decade into their career, this is section of their charm. That consistent action and quickening tempo intended deceptively nuanced singles “The Way It Shatters” and “Cars in Space” sounded as fleshed out as the studio recordings.

The Regrettes Put Crowd to the Test
Indie pop bands generally strategy pageant units as a way to appeal new listeners. The Regrettes, however, desired to put them to the test.

Frontperson Lydia Night guided her Los Angeles quartet and their big crowd via a collection of engagement activities, from crouching down and leaping up concurrently to mastering the phrases to their cowl of Lily Allen’s “Smile.” Live, the Regrettes’ hits “California Friends,” “La Di Da,” and “Nowhere” had been high-quality enough, however Night’s willpower to orchestrate in-person interactions grew to become a acquainted overall performance into a competition set that acquired the blood pumping.

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